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- <text id=94TT1366>
- <title>
- Oct. 10, 1994: To Our Readers
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Oct. 10, 1994 Black Renaissance
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- TO OUR READERS, Page 17
- Elizabeth Valk Long, President
- </hdr>
- <body>
- <p> Last October, time senior correspondent Jack White noted that
- in the same week, one African-American author, Toni Morrison,
- won the Nobel Prize for Literature while another, Poet Laureate
- Rita Dove, read her work at the White House. Not long thereafter,
- another black poet, Yusef Komunyakaa, won the Pulitzer Prize.
- White began to wonder whether these events and the increasing
- prominence of other African-American authors signaled a black
- literary efflorescence.
- </p>
- <p> Subsequent reporting by associate editor Janice Simpson and
- editorial assistant Breena Clarke on dance, film, music and
- theater quickly revealed that the artistic flowering was much
- broader than a literary one. "In all of these fields," says
- White, "what struck me was the audacity and exuberance of the
- artists, some of whom had moved beyond racial themes and so-called
- black styles, and felt free to explore any form." That freedom
- is the keynote of this week's cover story, written by White.
- </p>
- <p> For Simpson, covering the Black Renaissance was her final reportorial
- outing before taking over a new assignment: deputy chief of
- correspondents, in charge of TIME's national-news coverage.
- As enthusiastic as Simpson is about her new duties, which include
- supervising 68 correspondents in 11 bureaus, her work on this
- story reminded her of how much she will miss her first love,
- covering the arts. Says she: "Nothing makes me happier than
- being in the audience in a darkened theater, playing some small
- part in the magic happening onstage."
- </p>
- <p> Clarke, who focused on black theater, had firsthand experience
- of that magic: she was a professional actress before joining
- TIME in 1984. Today she keeps in touch with the field through
- her husband, actor Helmar Cooper.
- </p>
- <p> The cover portrait of choreographer Bill T. Jones, as well as
- all the photographs of black artists accompanying the story,
- were shot by staff photographer Ted Thai. For good measure,
- Thai also took the striking portraits of Yale scholar Harold
- Bloom and hot young filmmaker Quentin Tarantino in this week's
- issue. As deputy picture editor MaryAnne Golon points out, "Ted
- has a gift for thinking of imaginative ways to incorporate an
- artist's discipline into a photograph." To incorporate the marvelous
- achievements of today's African-American artists into the frame
- of a cover story, all of our Black Renaissance team have shown
- similar gifts.
- </p>
-
- </body>
- </article>
- </text>
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